When the Revolution’s Over: A Review of Ivan and Phoebe (2023, Deep Vellum)

by Elsa Court

As Ivan develops into a state of numbness, Lutsyshyna shows what can happen to the heroes of a revolution when the revolution itself is declared over. He reminisces about his past and experiences no hope for the future, only nostalgia. He becomes emotional at remembering his childhood friends, some of whom have left Uzhhorod and another of whom has died of alcoholism.

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Kate Tsurkan
Courage and tenderness: A review of Ribwort by Hanna Komar (2023, 3TimesRebel Press)

Reviewed by John Farndon

The opening words of Hanna Komar’s poetry collection, “wrap around me like ribwort,” grab the reader with courage and tenderness, grief and love, and never let go. Ribwort, a plant revered in Belarus for its potent healing properties in herbal medicine, is a compelling metaphor for the nature of these poems. While rooted in raw honesty and precision, these verses don't shy away from revealing the wounds plaguing the poet and her nation.

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Kate Tsurkan
Beyond Švejk: Jaroslav Hašek’s serious comedic tales

by Anthony Hennen

Jaroslav Hašek’s enduring success as a writer, thanks to his novel The Good Soldier Švejk, left him in an unwarranted one-hit wonder conundrum. A raucous satire about a soldier strongarmed into the Austro-Hungarian army during World War I, the book has been translated into dozens of languages. It remains in the zeitgeist of European literature.

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Kate Tsurkan
Convoluted Truths about Persistent Evils: A Review of Ján Johanides’s But Crime Does Punish (2022, Karolinum Press)

by Katarina Gephardt

Writing in the 1990s, when many intellectuals were hopeful about the future and ready to leave the past behind, Johanides stressed the continuity between the past and the present, underscoring the continuity of historical evils. However, aspects of the colonel’s and even Ostarok’s characters reflect the writer’s existential hope that individual human choices can alter the course of history.

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Kate Tsurkan
A Review of Bianca Bellová’s The Lake (2022, Parthian Books)

Reviewed by Anna West

Bianca Bellová’s The Lake, translated into English by Alex Zucker, follows Nami as he navigates childhood and young adulthood in a fictitious land made brutal by environmental degradation and Russian occupiers. The Czech author, who grew up in communist Czechoslovakia during the so-called period of normalization in the 1970s, is known for her works that explore themes relating to the communist era.

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Kate Tsurkan
A Review of Natalka Bilotserkivets’ Eccentric Days of Hope and Sorrow (2021, Lost Horse Press)

Reviewed by Sandra Joy Russell

Emerging as part of the visimdesiatnyky (“eightiers”) generation of Ukrainian poets, Bilotserkivets’ developed her poetic voice during the transitional moment of perestroika—the Soviet Union’s attempt at political and economic reform just prior to its collapse in 1991. Much of her writing reflects this increasingly open, and thereby volatile, political moment.

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Kate Tsurkan
Reading The Books of Jacob As A Ukrainian

by Maria Genkin

Ukrainians living in the Polish Commonwealth were known at the time as Ruthenians. Suppose you know this and follow a description of Tokarczuk’s characters carefully. In that case, you discover that the Polish Commonwealth was populated not only by Jews and Poles, but by these mysterious others–Ruthenians, who are both commoners (peasants) and gentry.

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Kate Tsurkan
The Conflicting Life of Dmytro Dontsov: A Review of Trevor Erlacher’s Ukrainian Nationalism in the Age of Extremes ( 2021, Harvard University Press)

Reviewed by Maria Genkin

Dontsov’s version of Marxism was always a bit heretical, but he came to view the Russian interpretation of it as imperialistic, and all Russians, in turn, as imperialists, regardless of their professed political values. His interpretation of Marxism, notes Erlacher, contained the seeds of its own destructive fascism.

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Kate Tsurkan